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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Carnation, Lily, Lily, Rose, 1885-86 by
John Singer Sargent

A feast of friends

Magazine article by Richard Ormond, 2015

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Gordon Darling Hall

Portrait of the Gallery

Magazine article by Graeme Dix, 2016

A design diary retrospective.

James Baldwin, writer, Harlem, New York 1945 by Richard Avedon

The Avedon effect

Magazine article by Dr Christopher Chapman, 2013

Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.

Chet Baker, singer, New York City, January 16, 1986 by Richard Avedon

The existential lens

Magazine article by Stephen Zagala, 2013

Stephen Zagala discusses Richard Avedon’s work from an Australian perspective.

Pat and Richard Larter, Luddenham, 1970s

Pin-ups

Magazine article by Dr Christopher Chapman, 2008

Christopher Chapman describes the art and life of Australian artist Richard Larter.

Sir William Charles Windeyer

Private virtues public lives

Magazine article by Joanna Gilmour, 2010

Family affections are preserved in a fine selection of intimate portraits.

Portrait 46

Spring/Summer 2013

This issue features Richard Avedon, Tracey Moffatt, Indigenous portraiture, William Kentridge, roller derby and more.

Portrait 29

September - November 2008

This issue of Portrait Magazine includes William Bligh, Lionel Rose, Richard Larter, Layne Beachley, William Yang and more.

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

Karen Gillan, 2010

Hot Scots

Magazine article by Christopher Baker, 2013

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

Dan Sultan

Dan the man

Magazine article by India Bednall, 2015

Martin Philbey’s portrait of Dan Sultan.

123 Faces, 2002

123 Faces

Magazine article by Magda Keaney, 2002

Magda Keaney examines the 123 Faces project by Simon Obarzanek.

Madame du Barry, 1791 by Richard Cosway

Little women

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

Martin Sharp

Oz and beyond

Magazine article by Diana Warnes, 2007

Martin Sharp fulfils the Pop art idiom of merging art and life.

Christian Waller with Baldur, Undine and Siren at Fairy Hills, 1932 by Napier Waller

Enigma

Magazine article by Dr Grace Blakeley-Carroll, 2015

Grace Carroll contemplates the curious case of Christian Waller.

Michael Kimmelman

Magazine article by Pamela Gray, 2002

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency